Other Artists


Natalia Abot

Born in Buenos Aires in 1974, Natalia Abot Glenz is the daughter of a plastic artist and a sociologist. When Glenz was two, her family went into exile in Madrid, a city where she was exposed to opulent architecture and museums that marked her way of seeing and creating. In the 1990s she returned to Argentina, where she trained as an architect at the Faculty of Architecture, Design and Urbanism at the University of Buenos Aires, occasionally returning to Spain for artistic projects and training. Her work is characterized by a search for beauty through the representation of movement, and suggests the existence of an intrinsic order, beyond our limited understanding of the world.

She currently lives and works in Buenos Aires.


María Torcello

Born in Buenos Aires, Argentina, in 1978.

Autodidact. She attended Jorge Gamarra’s workshop, from 1999 to 2003, to specialize in the direct carving technique on wood. During 1997 she held drawing (living model) and sculpture (technique: modeling and plaster) workshops at Estímulo de Bellas Artes. In 1998 she attended Malena Trosolino’s drawing and sculpture workshop (technique: modeling, plaster and cement) and completed two years of studies at IUNA with 13 approved subjects.

“I work practically with recycled wood. In it you can perceive her history, her life and her death. I find an exciting relationship between the work I do with wood and the work that requires self-knowledge, the search for the absolute being. Through the work of cleaning the trunk, ravaging, finding the form and final polishing, natural beauty emerges as if by magic. “That magic that connects us with primordial nature, with the essence.”

She currently lives and works in Buenos Aires.


Corina van Marrevijk

Born in Buenos Aires, Argentina, in 1966. 

She has a degree in Advertising from the Universidad del Salvador and studied part of the Graphic Design career at the Universidad de Buenos Aires. Between 1990 and 2000 she worked in the field of editorial design. She joined Editorial Atlántida as a diagrammer for Gente and Billiken magazines, and was responsible for the Art Direction of several of their publications. Starting in 2002, he switched from graphic media to audiovisual media and moved on to art and the setting of advertising commercials and television programs. 

In 2019 she began working on the botanical sculptures fully made on paper. Her first group show was in April 2022, at the Pabellón de las Bellas Artes of the Universidad Católica Argentina, together with Eduardo Stupía, Juan Andrés Videla and Emma Herbin, as a guest artist.

She currently lives and works in Buenos Aires.